I apologize that it took me longer to get this set up than I’d hoped, but I ran into a bit of a quandary regarding time zones! Specifically, the first thirteen entries I received were technically before the submission window was open, but knowing how much confusion can be caused by daylight savings time, I decided not to disqualify everyone who was an hour early. (And if I did, I wouldn’t have gotten up to thirteen entries!) But . . . since I also didn’t want to penalize anyone who did get it right and waited till 9:00 MST, it turned out to be more complicated than I’d planned.
In the end I considered all the submissions that came in between 8:00 and 5:00 MST (most of them came in the first couple of hours), and since I couldn’t do first come-first served and still be fair to those who figured out the Great Time Zone Puzzle, I sorted the entries by category and took the same percentage of each, based on how many I received in each category. So we have five Adult entries, six YA entries, and two MG entries.
As I’d said that each qualifying submission needed to be a legitimate logline, I gave preference to those who not only followed the submission rules but who at least included most of the basic logline elements. Although I certainly understand that some people may have just discovered Baker’s Dozen and not had a chance to follow the critique sessions at MSFV or to do a lot of research on loglines, if you spend just half an hour reviewing the information readily available on that site you’ll know what should be in a logline — and what shouldn’t! 😉 Continue reading
Last year I did a blog post about contests and about composing pitches or ‘loglines’. In that discussion I summarized what I’d learned from my research about loglines, and illustrated how they may be of different lengths and levels of development, depending on what’s required. Now I’m digging a little deeper to explore how to write more effective loglines and also how to use them as a tool for looking objectively at a novel — which, among other things, can make it far easier to tackle writing a query letter and a synopsis.
While revisiting the subject of loglines due to the upcoming Baker’s Dozen auction at Miss Snark’s First Victim, I’ve learned some new things that I feel have given me a greater insight into what makes a compelling logline that will grab a reader’s attention. This is mostly thanks to Holly Bodger, aka ‘The Logline Guru’. In the past few years Holly has imparted her wisdom about loglines at MSFV, both generously offering her comments on all the logline critique rounds and sharing her thoughts in a number of posts about the problems she sees in the participants’ entries.
In her basic guidelines for composing a logline, Holly gives this formula: “When [MAIN CHARACTER] [INCITING INCIDENT], he [CONFLICT]. And if he doesn’t [GOAL] he will [CONSEQUENCES].” While this exact order may not be what works best for every story, Holly also stresses that “loglines are stronger when they come in the order that has the greatest effect“. In any case, the capitalized components all need to be included. And in critiquing loglines it sometimes seems that the best advice is to suggest that the writer go back to the drawing board and use that formula to figure out exactly what those components are in their own book. Continue reading
Recently I learned of a contest called Write Club. Unlike most other online writing contests that I’ve seen, this one is mostly just for fun, rather than designed to help connect authors with agents or editors. Apparently it’s been going on for at least several years, and has even been copied by others who’ve created similar contests.
The inspiration for the contest is Fight Club, so the rules are modeled on the Fight Club rules, which is rather cute. It even includes Rule Six: No shirt, no shoes. That’s a joke, of course (no one expects the authors to refrain from wearing a shirt or shoes while writing)! Though in my case, if that were an actual rule I’d already be partly in compliance; since I can’t stand wearing shoes in the house, I almost always write without shoes. 😉
I confess that although I’m definitely a Brad Pitt fan, I’m not really a big fan of that film. I saw it just once and while I didn’t dislike it, it’s not something I’d be interested in watching again. I suppose most people would say that the quintessential masculine version of a ‘chick flick’ is something like the Die Hard films, filled with intense action and things blowing up from the first moment to the last. But I might say that Fight Club is a more intellectual form of a ‘guy movie’; it certainly has a lot more depth, but I would guess it still tends to have more appeal for men than women. Continue reading
I’ve recently discovered a number of fun contests designed to give authors a different way to get their pitch — and hopefully their manuscript itself — seen by agents. (One good source for learning about upcoming contests is the Sub It Club.) The gals who run these contests certainly deserve kudos for all the hard work they put in, and it’s nice to see that it looks like they usually have a lot of fun doing it, too.
It’s something I’d like to consider doing myself down the road — though I’ll probably want to enlist the help of someone more computer and web savvy to help with the logistics. And speaking of logistics, I’ve learned a lot about loglines in the past few weeks, thanks to all the great information at Miss Snark’s First Victim, a delightful site with lots of resources for writers, as well as great contests, including the monthly ‘Secret Agent’ contest. (And there’s quite a few success stories posted on the site, showing that the process really does work to connect writers and agents.)
One of the challenging things about writing loglines — which are required for entry in many of these contests — is that there are so many different definitions floating around as to just what a logline is and how long it should be. My conclusion is that the answer depends on who’s asking for the logline, and what they’re looking for. Some people want a logline that’s no more than 25 words, while the logline critiques at Miss Snarks’s First Victim permit up to 100 words (although they stress that shorter is better). And the Halloween-themed Trick or Treat with an Agent Contest going on this week asks writers for a three-sentence pitch, with no word count restriction. Continue reading